Sketchbook Update 12-26-12

Most of my client work is done digitally on my Cintiq, but when it comes to personal sketches every once in a while I go back to my roots and draw on good-old paper. Often I doodle on blank greeting cards. If one of them turns out really well I may mail it out as a special promotional piece, either to stay in touch with a past client or to try and build a stronger connection with a client I hope to someday do work for. You can see a few samples of those sketch cards in this blog post.

I’ve recently joined the cool kids over at Instagram (find me at “cedrichohnstadt”). I post some artwork now and then but mostly I just browse the amazing work of other artists to help me get inspired. Recently I had the rare privilege of taking the entire afternoon off to go sit in a bookstore and just sketch for fun. I cranked out these three sketches and posted them on Instagram, but thought I’d also share them here as well.

Copyright © Cedric Hohnstadt. All rights reserved.
Copyright © Cedric Hohnstadt. All rights reserved.
Copyright © Cedric Hohnstadt. All rights reserved.
Copyright © Cedric Hohnstadt. All rights reserved.
Copyright © Cedric Hohnstadt. All rights reserved.
Copyright © Cedric Hohnstadt. All rights reserved.

 

 

Sketchbook Update

Last year I declared March to be “Sketchbook Month” and started an informal little blog challenge: a sketch every weekday for the entire month. Several other artists joined in and pretty soon we had a pretty good party going. With the new baby things are just too crazy for me to attempt it again this year, but I’m hoping next March I’ll be able to give it another go.

In the meantime I’ve been doing what I can to keep my sketchbook from growing too cold. Thought I’d post a few recent doodles.

After years of hearing other artists sing the praises of Blackwing pencils I finally ordered a box. The guy in the army uniform was from my first day breaking them in. I gotta say, those pencils make for some silky-smooth drawing. The Blackwing’s reputation is well-earned.

 

Sketchbook Update

I’ve been working on some really neat projects lately. Unfortunately because of strict client confidentiality agreements I can’t give specifics abut any of them. For now all I can say is I’ve done some concept work for a major toy company, I’ve sketched up some licensed products for an upcoming animated feature film, and I’ve designed some costumes and props for a new VeggieTales DVD.

So for now I’ll just post some recent work form my sketchbook. Most of these were drawn from photographs, either pictures I found online or photos I took myself.

Sketchbook Update

I’ve been pretty busy with some client projects (mostly in the toy industry) which at the moment I’m not allowed to talk about. Today I let my hand wander a bit while talking on the phone and listening to some YouTube videos. These are some of the doodles that came out.

Sketchbook Month: Day 7

Working on a big deadline today but I made time to bang out some “speed sketches”. Just a few faces I came across in a Google image search.

Sketchbook Update: Pose Studies

As I wrote in my last post I’ve been trying to get back into the habit of keeping a daily sketchbook in addition to my client work. Some days are better than others but overall I’m making good progress. Even after fourteen years working as a freelance illustrator I still enjoying finding new ways to push myself to grow and improve as an artist.

Case in point: Last year I attended the CTN Animation Expo in Burbank, California. While there I shopped my character design portfolio around a bit. Several animation professionals graciously gave me some very helpful feedback. One thing I kept hearing was that although my character designs were strong overall there was not much expressive acting in my characters. Most of the people and animals I drew just stood around, usually with one hand on the hip and the other in what Kyle Baker refers to in his book How To Draw Stupid (Amazon.com link) as the “hand of death” pose. They encouraged me to say more about a character’s personality and breathe life into the drawings through expressive posing.

The Expo is coming up again and I want to be ready with a new and improved portfolio. So tonight I took some time to experiment with posing. I quickly whipped up a very generic looking character and then tried to make him act, express, and emote. These few rough sketches are the result:

Pose Studies

It’s a challenging exercise. The more I started to draw the more I realized how weak and cliched my mental acting library really is. While these poses are a vast improvement over the work I was doing last year I still have a lot of room to grow. It all goes back to a basic but very solid principle of drawing: Don’t just look, see. In order to draw well you really need to study and analyze the world around you. I need to be studying live people as well as other actors and especially animators. It will be an ongoing process but one I’m looking forward to.