Illustration for Great River Energy Kid’s Club

Artwork copyright © Great River Energy. All rights reserved.
Artwork copyright © Great River Energy. All rights reserved.
Artwork copyright © Great River Energy. All rights reserved.
Artwork copyright © Great River Energy. All rights reserved.

A few weeks ago I was hired by a local agency to create some artwork for a new interactive website for Great River Energy, a Minnesota company that provides electricity to a large part of the state. The site is promoting their “Brighter Kid’s Club” campaign designed to help kids learn about saving energy.

I was asked to draw the exterior and interior of what the client described as “the coolest tree house ever”. They provided me with some rough thumbnails and a long list of specific items that had to be included in the artwork. The ideas was to create a fun little interactive clubhouse that could be enjoyed by both boys and girls. I created all the elements as vector art in Illustrator and then handed them over to the agency. From there there they inserted additional elements (posters on the walls, for example) and added some simple animation to make everything come alive.

It was really a tag-team effort, and in the end it turned out quite nice. You can view the actual site here.

Parasites! (Advertising Illustration)

FleaWormTick-noballoon2

(Copyright © 2009 by Cedric Hohnstadt. All rights reserved.)

Earlier this summer I was hired by PreFurred Pet Care, a small business on the west coast, to help out with an ad campaign. They had seen an old piece from my portfolio depicting a cartoon flea and tick having a picnic on top of a dog’s head. They were wondering, could I sell them the image for use in a postcard campaign? After looking through my files I discovered I had already sold all the rights to that particular image, but I did offer to create a custom illustration just for them and their specific needs.

The client liked that idea and decided to do their own twist on the picnic idea. They would use a stock photo of a sleeping dog, and above his head they wanted to place a cartoon “dream” balloon containing some parasites getting ready to eat him. I liked the idea and did the above illustration. Here’s how it looked inside the balloon:

FleaWormTick-withdog2

“Trifecta” Packaging Illustration

Recently I was hired by a client to develop a packaging illustration for a new brand of barbeque sauce called “Trifecta”. The illustration will be used on the label of the bottles as well as on t-shirts, posters, and other marketing materials.

In horse racing a “trifecta” is the first, second, and third place finish in a race. When it comes to barbeque sauce the client thought it could also stand for the three primary types of meat that people grill: beef, chicken, and pork. So I was asked to come up with a humorous illustration that would depict jockeys riding a cow, a pig, and a chicken. It was a fun idea with a great visual. I enjoyed playing around with it.

Here’s the rough thumbnail ideas I submitted:

Trifecta-Thumbs-v1

The client chose sketch C and then I worked up a detailed sketch. I’m an illustrator, not a graphic designer, so my job was only to draw the picture. Someone else will be hired to design graphic layout around it.

While sketching it occurred to me that since people read from left to right it would look better visually if we flipped the image. Here’s the detail sketch I submitted:

Trifecta-Sketch1bWhen it came time to color the image I took a trip to the grocery store and purchased several brands of BBQ sauce so that I could study the color schemes that were used. I’m not an expert in the psychology of color but I’ve been told that certain colors tend to make certain types of food appear more appetizing. For instance, dairy products like yogurt and milk often use white and blue in their packaging. Barbeque sauce, I found out, is almost always packaged in some combination of five “dark and warm” colors: red, orange/brown, yellow, black, and white.

bbq-sauce-bottles

I figured there must be a good reason for this so I incorporated a similar color scheme into the final art:

Trifecta-Final6v2a

The final illustration was created as vector art in Illustrator for three reasons: First, so that it could be enlarged indefinitely (i.e. on banners and posters) without any loss in quality. Second, I wanted to keep the art humorous but give it a more modern, streamlined look. And third, I just like working in Illustrator every now and again.

Trifecta barbeque sauce is not on the market yet but the client has given me permission to share the work that I did for him here on the blog. As soon as its available I’ll be sure to post a link to the Trifecta website as well as an image of the final packaging.

Download My Updated PDF Portfolios

Along with posting new work on my website and on this here blog, I also make samples of my work available as a free PDF download for clients to print and keep on file. The last time I updated the PDF was in January 2008. A lot has changed since then and an update was long overdue.

Instead of one portfolio there are now three portfolios to choose from: Character Design, Illustration, and Toy Design. Collect all three!

The Purple Cow

purplecow-layout1-7

purplecow-layout1-8a

Recently I was hired by Benchmark Education to illustrate a short children’s book called The Purple Cow. Not to be confused with the best seller by Seth Godin, this story is an epic saga about a cow that gives grape juice instead of milk.

The client gave me a great deal of editorial freedom so I decided to stretch myself and try something different. I created all the art as vectors in Illustrator (usually I use Photoshop) and tried for a very flat, cut-out look that emphasized shape over line. Also, instead of flat color in some areas I used some scanned textures I had on file. For example, I think the grass is actually a corduroy fabric that I color-shifted to green.

Because of the deadline I sketched the layouts very quickly, which oddly enough gave me wackier and more appealing shapes than I think I would have achieved had I slowed down and overthought it.

Above is a two-page spread, a one page illo, and a spot. The white areas were left blank for text, but I’ve inserted a copyright notice in an effort to protect the images online. Also, for some reason when I saved the art for the web the colors got very washed out (at least on my monitor). In the original files the colors are much richer and easier to read.

Overall I really like this flat vector look. The only problem with vector art is that you spend so much time pushing and pulling vector points that after a while you aren’t really drawing or painting, you’re just shoving things around. So I haven’t decided yet if I’ll be doing a lot more of this or not. It’s fast and effective but I would miss the fluid feel of drawing and painting.

My Interview in “Stay Tooned!” #3

staytooned

Issue #3 of cartooning magazine Stay Tooned! has just been published. I received my copy over the weekend and it’s full of great stuff, including a 7-page interview with Yours Truly. Here’s a full list of the artists and contributors from the mag’s website:

“[Stay Tooned! issue #3] features profiles of Chad “Tundra” Carpenter, magazine gag cartoonist Benita Epstein, freelance Nebraska cartoonist Paul Fell, character designer Cedric Hohnstadt, editorial cartoonist R.J. Matson, Jim “Gasoline Alley” Scancarelli, cover artist Richard “Cul de Sac” Thompson, and webcomic creator Mike Witmer; plus articles by Mark “Lio” Tatulli, comics historian R.C. Harvey, Norm “Retail” Feuti, Tom “MAD Magazine” Richmond, and freelancer Mike Edholm (who reports on Toonfest ’08). Also, the art of John Kovaleski and Stephen Silver is spotlighted.”

Besides my interview this issue also contains write-ups and content featuring several other members of our chapter of the National Cartoonists Society. It’s an honor and a privilege to be included among such a talented bunch. You can order your copy, or better yet subscribe, at the Stay Tooned! website.