Kikkoman Character Design

Recently I was hired by the good folks at Ketchum Communications to create a character for Kikkoman soy sauce. They were printing a brochure and wanted to include a fun cartoon mascot. They asked me to take a bottle of Kikkoman and add a face, an apron, and a chef’s hat.

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It was the standard “take our product and add a face” method of character design. It’s a common approach to creating a mascot (i.e. the M&M’s guys, the Chips Ahoy cookie, the Kmart Blue Light guy, etc.) Sometimes it works, sometimes it doesn’t.

At first glance this kind of assignment doesn’t give a character designer much to work with. The juicier jobs involve designing a character related to the product (i.e. Keebler Elves, Energizer Bunny, Serta Mattress Sheep, etc.), not the product itself. There is a lot more freedom to experiment visually. When the character is the product you are much more limited. An M&M has to look like an M&M, a light bulb has to look like a light bulb. If a character designer isn’t careful, such product-with-a-face characters risk appearing dull and unoriginal. Fortunately, it doesn’t have to be that way.Read More

New! eSketchbook and Bonus Screen Saver

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If you’ve attended a comic book convention in the last few years, you may have noticed the “sketchbook craze” spreading through the art world. Comic book and animation artists will assemble dozens of personal sketches, have them made into booklets at Kinko’s, and sell them at conventions and other events. I’ve been to Comic-Con twice in the last five years and each time I’ve come back with an armload of inspiring sketchbooks to drool over.

I’ve also experimented with printing sketchbooks myself. In 2004 I put together a book of mostly cartoony portraits and called it “Head Hunting”. I never rented a table or booth, but I made up a small print run and managed to eventually sell or trade all of them. In 2006 I printed a second volume, “Head Hunting Volume 2”. Again, it was a small print run and I sold out of them as well.

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Instead of doing a third volume, I’m going to try something different. I’ve chosen the best sketches from both volumes, plus about twenty new sketches, and assembled them into what I’m calling an “eSketchbook”. It’s a PDF file containing over 100 of my personal sketches and doodles which can be downloaded and, if you’d like, printed out on your home computer. A sample two-page spread is shown above.

As a bonus I’ve also saved each spread as a JPEG and included instructions on how to turn the JPEGs into a screen saver.

I’m selling the entire package—100+ sketches and a bonus screen saver—for $9.95.

To purchase the eSketchbook, , visit the store on my website. Once you buy the sketchbook, an email will be sent to you with a link to download the file. My website store is brand new, so if you run into any bugs or problems please email me and let me know.

“3-2-1 Penguins!” Character and Concept Art

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On Saturday morning NBC aired another brand-new episode of 3-2-1 Penguins! for which I had done some concept work. This epsiode was directed by Rob Corley over at FunnyPages Productions (check out their blog).

The character art needed for this episode was pretty light and straight-forward. The only new characters were a race of tiny ear-people who spoke in Munchkin-like jibberish. My instructions were to take a human ear and add cartoon arms and legs. Like I said, pretty straight-forward.

The only other concept art they needed from me were some party hats for the Penguins to wear in a birthday scene, and a sketch of the twins and Grandmum after being splattered by an exploding cake. One of the running gags of the show is that you never see Grandmum’s face. It is either out-of-frame, or strategically covered by a well-placed prop. So I left her headless in the sketch, knowing it wouldn’t matter. (Although they did send me a turn-around model of Grandmum for reference, and yes she does actually have a face. I’ve seen it!)

3-2-1 Penguins! is a science-fiction comedy from the creators of VeggieTales. It airs Saturday mornings on NBC.

Shameless Self-Promotion: Download My New Portfolio

To any art directors/art buyers out there:

As a freelancer I’m always looking for new clients and fresh projects. So this blog is as good a place as any to announce that a new, updated PDF version of my character design and illustration portfolio is available online. You can download it for free here or on my website. Feel free to print it out and keep it on file for your records.

I’ve also posted an updated version of my resume here.

Finally, you can join my mailing list here. I send out a promotional email 3-4 times a year, and a “snail mail” postcard once or twice a year.

To the rest of you, thanks for indulging me. Regular blog posts will resume tomorrow. (If you like animation, you’ll enjoy tomorrow’s post.)

Illustration Friday: Tales and Legends

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Copyright © Cedric Hohnstadt. All rights reserved.

I would have posted this on Friday but I wanted Ask Mr. Artist Guy to be front-and-center all weekend. A big “thank you” to everyone who’s submitted questions so far.

Illustration Friday is a fun website for artists. Each week a topic is posted, and any artist who wants to (regardless of skill level) can submit a sketch or illustration created for that topic. The more creative and original you can be, the better. It’s a great way to sharpen your conceptual skills as an illustrator. (Someone who really has a lot of fun with it is Guy Francis.)

Unfortunately I usually don’t have time in my schedule to participate but this time I can squeak something in. This week’s topic is “Tales and Legends”. By coincidence I was going through some old sketches and happened upon this dragon drawing. It fits with the topic (albeit with a bizarre twist), so I thought I’d post it.

Participation in Illustration Friday is free. Just sign up on their website and each week’s topic will be automatically emailed to you.

Scratch-N-Sniff

Some freelance projects have tight deadlines. Others move at a slower pace.

Way back in Spring of 2005 I was contacted by a publisher to illustrate a series of children’s books designed to help kids understand various Christian concepts. Since there was no real rush our understanding was that I could set it aside to work on other more urgent projects when necessary. It was nice to have a large project that I could work on at a somewhat relaxed pace, and the client was terrific to work with.

The first book, What Your Nose Shows, was about Creationism (or Intelligent Design, if you will). The author, Ray Comfort, wrote a some rhyming text about the nose and how it’s very existence points to a Creator.

A few months after finishing the first book I was hired to start a second one. Scratch and Sniff was about a cat named Scratch and a dog named Sniff. The lesson had to do with disobedience (sin) and our need for a Savior. We decided it would be fun to make this an actual “scratch and sniff” book, with a different scratchable scent on every page.

Eventually it was decided that since the first book was about the nose, it should also be scratch-and-sniff. So after completing the second book we went back and re-worked the first one to incorporate smells into the story.

Finally, after over a year-and-a-half both books were ready to go to the publisher.

Printing with scratch-and-sniff inks turned out to be a complicated process and resulted in several more delays. Eventually the books were printed overseas and now, nearly three years after the project was begun, the books are finally available for purchase. (Click to buy What Your Nose Shows and Scratch and Sniff).

Here are the covers and a couple of sample pages from each book. They are taken from different parts of each book so the text won’t make sense, but you can get an idea of what the art looks like:

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