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Dan Haskett is an animation veteran and one of the top character designers in the business. He’s contributed to classic feature films including The Little Mermaid, Beauty and the Beast, The Prince of Egypt, Mulan, and Toy Story. Dan helped translate Matt Groening’s early sketches for The Simpsons into the look we know today and was rewarded with an Emmy for his work.  He’s also worked on numerous commercials and created animated bits for Sesame Street. I first met Dan Haskett at the Motion '08 animation conference in Albuquerque, New Mexico, where he gave a fascinating presentation on designing ethnic characters (read my blog post about it here). After his presentation he was kind enough to review my portfolio. The following year I was invited back to the Motion conference as a speaker where I again had the chance to visit with Dan. He’s a brilliant and versatile artist, a likable guy with strong opinions that he shares in a soft-spoken and thoughtful manner. In January 2010 Dan was kind enough to give me a phone interview from his desk at Warner Brothers where he is currently designing characters for two Scooby Doo projects. He shared some observations on the industry, offered some advice, and gave his thoughts on The Princess and the Frog from his perspective as an African American in the animation industry. (Full interview after the break.)

(The above artwork is copyright © Dan Haskett. All rights reserved.)

[caption id="attachment_2199" align="aligncenter" width="395" caption="A witness in the Gamboa meth trial, Fargo ND"][/caption] Every once in a while I am hired by a local Minneapolis TV station to do courtroom sketches. Minnesota has a strict law forbidding cameras from all courtrooms so when big dramatic trials go down I often get a phone call. I enjoy courtroom sketching but it has its challenges. Here's some of the balls a courtroom artist needs to juggle:

Today is Good Friday, the day Christians celebrate the torture, crucifixion, and death of Jesus Christ. So why is it called "good?" Good question. Earlier in my career I illustrated this 8-page cartoon Gospel tract. I hope it will explain the answer. Happy Easter! ...

A few months ago I was hired by the terrific team at Minneapolis agency RPM Connect to illustrate an in-store display for Act II Popcorn, a brand owned by ConAgra Foods. RPM came to me with a fun concept (two kids bouncing around on a sea of popcorn) and a rough layout for the signage, then asked me to work...

As I've mentioned before on this blog, I've had the privilege of doing a little animation for a new series from the Phil Vischer, the creator of VeggieTales, called What's In The Bible? Partnering with Tyndale House Publishers, Vischer's plan is to build a library of DVDs that use puppets, animation, and live-action to take you through the Bible from cover...

As a freelance illustrator I'm often hired by ad agencies and marketing firms to create "comp art" or "marker comps", which are fast, rough sketches used to pitch an idea to a client. They can be black-and-white or color, depending on the deadline and budget, but they are a lot of fun to do. Because clients are very protective of...