Toby Dugan

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Earlier this week my wife and I hosted a couple for dinner, illustrator Toby Dugan and his wife Vonnie. Toby is a retired artist, evangelist, and magician and one of my wife’s long-time family friends. He was kind enough to bring his portfolio to my studio which was a real treat!

For much of his career Toby was a commercial artist on staff with Bethany Fellowship, a ministry here in the Minneapolis area that later grew to include Bethany House Publishers. Over the years he worked on both religious and secular projects but the income was always funneled back into the ministry.

For many years he was the organization’s lone artist, working in the pre-digital era when artwork was created with real pens and brushes on real paper. Mistakes were hard to fix (there was no “undo” button). Page layouts were done by hand with an exacto knife and rubber cement. Printing limitations often meant you could only use two or three colors for an entire illustration. Artwork had to be separated for printing which meant drawing different parts of the illustration on different sheets of paper. How far we’ve come in the last twenty years!

Now in his eighties, a hand tremor has left Toby unable to draw like he used to but his mood is still bright. He is sharp as a tack and every bit the gentleman. We talked shop, he shared stories from his evangelist days doing “chalk talks” (preaching and drawing at the same time), and after dinner he entertained us at the table with some slight-of-hand magic.

Meeting Toby was inspiring. He is an example of a life well-lived. I have tremendous respect for Toby. My guess is that had he chosen a different path he could have made a lot more money and built a brighter career, but he had his priorities right and invested in the greater Good. That’s a good challenge for me to keep in mind as I build my career.

After dinner I asked Toby if I could scan some of his artwork to post here on the blog. Although the styles are dated (it was a different era) it’s fun stuff and I wanted to share it with my readers. It’s my little way of honoring him for what he’s done.

(All artwork is copyright © Bethany Fellowship. All rights reserved.)

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Walt Stanchfield’s “Drawn To Life”

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For twenty years Walt Stanchfield was a drawing instructor at Disney, teaching and inspiring some of the worlds’ best artists and animators to help them hone their craft. He often gave his students handouts filled with inspiring sketches and valuable insights into the process of gesture drawing. The handouts were so popular that they were photocopied and traded like baseball cards. Several of them have also popped up here and there on the internet. (A few years ago I downloaded a batch from a website which unfortunately no longer makes them available.)

Academy Award® nominated producer Don Hahn (Beauty and the Beast, The Lion King) has collected those notes and edited them into a brand new two-volume set entitled Drawn to Life: The Walt Stanchfield Lectures. The books will be available in late March/early April but are currently available for pre-order at Amazon.com (Volume 1 and Volume 2). The books total 800 pages of inspiration and instruction so at $20 each it’s a steal.

You can view a short video “trailer” for the books at www.donhahn.com.

The Return of “Ask Mr. Artist Guy”

It’s been a while since I took the time to answer reader questions. These posts take longer to write, and with life getting crazy and my blog moving from a daily to semi-daily format, they fell by the wayside. I decided it’s time to try to weave this feature back into the mix.

To make up for lost time I’ll answer not one but two reader questions:

Tony LeTourneau writes: “I found your posting a while ago that you are using a Cintiq. I wanted to touch base with you to see how you have liked it and if you have found it to be a significant difference from your older Wacom Tablet. I am considering buying a Cintiq and wanted to get another illustrators opinion.”

A Cintiq is a huge improvement over a Wacom tablet. I used a tablet for years, and while I enjoyed painting digitally I never could get the hand-eye coordination thing down. It’s just too unnatural to look away from your hand when you are drawing. I made it work for painting/shading, but for actual drawing and inking it was faster to work straight on paper than to wrestle with the tablet.

A tablet also lacks the “rotation” factor. Many artists like to rotate their paper back and forth as they draw/ink, myself included. But since a tablet’s orientation is tied to the monitor, and the monitor doesn’t rotate along with the tablet, when I would spin the tablet the lines I drew never went where they were supposed to.

A Cintiq solves all these problems. Drawing is natural and rapid. You can rotate the Cintiq almost 360 degrees, and tilt it as steep or as shallow as you’d like. It’s also very efficient. You can fix mistakes much easier than you can on paper (just hit “undo”), and you don’t have to waste time scanning in your artwork and then cleaning it up. A Cintiq is expensive, but for me it has more than paid for itself in terms of the amount of time I save.

However, the Cintiq does have some shortcomings. First, if you work digitally from start-to-finish (as I do) you have no “original” artwork to frame and hang on a wall. Inking is also tricky on a Cintiq. Inking in Photoshop can be wonky, and inking in Illustrator takes some getting used to (although with practice I’ve achieved some nice results). Some people ink in Painter or Sketchbook Pro with good results, but that means buying additional software. Finally, a Cintiq is very smooth—you are drawing on glass, not paper—and some Cintiq users say its just not the same, they miss the feel of drawing on paper. Fortunately for me that’s not a big deal.

John Beatty writes: “As I was doing my errands the other day, I thought; ‘I wonder how other Freelancer’s deal with going to the post office, going to the bank, getting office supplies, etc, etc.’…how to you work around your errands that ‘must’ be done, while in the middle of a deadline, when every minute is precious!…I know you’re married and that probably can help, if you wife isn’t a full time employee too?”

Great question. As a freelancer you have to wear a lot of hats including bookkeeper, errand boy, and janitor. The better you are at time mangamement, the easier things go.

Like many creative types organization does not come naturally to me. I’ve had to train myself and pick up some tricks and shortcuts along the way. The most important thing is to prioritize and plan ahead. Everything should revolve around your clients’ deadlines. Decide which tasks are urgent and which can wait until a rainy day, and then plan accordingly. If you manage your time well you will very rarely find yourself so swamped that you are unable to spare an hour to run an important errand.

I’ve found it helps to get in the habit of keeping a work log on every project. Over time tracking your hours will help you get a sense of how much time you actually spend doing different types of client projects. Eventually you will learn to predict with a fair amount of accuracy how long each project will really take, and that will help you to figure out how much time you will have left over for errands and other tasks. My wife created a template in FileMaker Pro that I use to log my time spent each project, but you can also buy one of several desktop or web applications designed specifically for freelancers to track their hours.

If you can carve out a big chunk of time it’s best to run several errands at once (and being a freelancer you can do them while everyone else is at work, avoiding rush hour traffic and long lines). It’s also a good excuse to get out of the studio for an hour or three. Sometimes deadlines pile up and then it gets tricky. If I have to I can send my wife to run errands for me, but when I was single I had to learn to plan ahead and run the errands either before or after things got crazy. In today’s fast-paced world that’s a vital skill to learn.

Modern technology makes it easier than ever to get organized. I use Apple’s iCal software to keep track of my deadlines, meetings, etc. On my iPhone I use a great app called OmniFocus to organize my to-do list. It lets me know when something has to be done soon or if it’s overdue. Most smart phones will also let you keep a shopping list on-the-go (I use an iPhone app called Zenbe). When you find yourself in a big-box store just whip out the list and get everything you need at once.

Most of this is just common sense. It just takes practice and discipline. Believe me, if I can learn basic time management anyone can.

A Quick Doodle

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Took a break during an all-nighter to do this doodle. I liked how it turned out so I colored it. I may look at it in the sober light of day and decide it’s not that great, but at the moment I like it. Don’t ask me what that sheet of paper is he’s holding, it just came out of the pencil that way.

My Interview in “Stay Tooned!” #3

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Issue #3 of cartooning magazine Stay Tooned! has just been published. I received my copy over the weekend and it’s full of great stuff, including a 7-page interview with Yours Truly. Here’s a full list of the artists and contributors from the mag’s website:

“[Stay Tooned! issue #3] features profiles of Chad “Tundra” Carpenter, magazine gag cartoonist Benita Epstein, freelance Nebraska cartoonist Paul Fell, character designer Cedric Hohnstadt, editorial cartoonist R.J. Matson, Jim “Gasoline Alley” Scancarelli, cover artist Richard “Cul de Sac” Thompson, and webcomic creator Mike Witmer; plus articles by Mark “Lio” Tatulli, comics historian R.C. Harvey, Norm “Retail” Feuti, Tom “MAD Magazine” Richmond, and freelancer Mike Edholm (who reports on Toonfest ’08). Also, the art of John Kovaleski and Stephen Silver is spotlighted.”

Besides my interview this issue also contains write-ups and content featuring several other members of our chapter of the National Cartoonists Society. It’s an honor and a privilege to be included among such a talented bunch. You can order your copy, or better yet subscribe, at the Stay Tooned! website.

Pre-Order Joe Bluhm’s “Sketch Infectus”

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(Artwork copyright © Joe Bluhm. All rights reserved.)

Joe Bluhm is a terrific illustrator and caricaturist. I recently discovered his work and have been following him with interest.

Joe is self-publishing a sketchbook called Sketch Infectus. It’s jam-packed with great eye candy. Joe claims that “you probably won’t find a sketchbook with more drawings packed per-page between the covers”. The book will be available in March but if you pre-order by Feb. 5 you get a really cool bonus: Joe will cut out an original sketch from one of his sketchbooks and mail it to you with the book. Awesome!

I just pre-ordered my copy and can’t wait to see it. Get yours here.