Art & Business

Recently I stumbled upon this excellent article from Bootstrapper (a good blog for the self-employed, entrepreneurs, and other do-it-yourselfers): Rookie Mistakes: 15 Blunders New Freelancers Make And How To Avoid Them For more info on freelancing, don't forget to check out other posts listed under "The Business of Freelancing" Category over to the left, and of course my Recommended Resources page on...

I originally posted this on my blog back in August. However, my blog traffic has increased five-fold since then and I'm guessing most of you haven't seen it. So, an encore... For a freelancer, a website is an essential marketing tool. It proudly displays your work to potential clients 24/7. It trumpets your accomplishments to art directors all over the world. Most will not even consider hiring you if you don't have a website. But not all websites are created equal. There are some little extra touches that can go a long way in making sure your website pushes you up on the hiring list. Some of these tips I've just recently learned myself. I'm planning to completely redo my website to take full advantage of them. Put your contact info at the top. Make sure your email and phone number appear on your header, so that they are readily visible on every page. It's not that uncommon for an art director to print out samples from two or three artists to show to the boss and/or the hiring committee for a project. If they are having a tough time deciding which artist to call, having your contact info at the top of the page might push you over the edge, especially if the art director is busy and doesn't want to take time to look up the contact info for the other artists.

Hey kids! Today's phrase is "Spec work". In the creative industries (advertising, publishing, film making, etc.) doing a project "on spec" means "work done on speculation", in other words doing work for free in the hopes that you'll get paid later once the project "takes off". Young artists just starting out are especially vulnerable to such projects, but even after ten...

I'm under the gun with some projects, so no time to write a blog post. But don't go away empty handed! Here's three blogs loaded with great info on freelancing: Freelance Switch Freelance Folder Wake Up Later In some cases their content is geared towards other types of freelancing besides illustration (i.e. freelance writing, freelance web design, etc.) but much if it can still...

Yesterday I listed some of the "Con's" of freelancing. Please read that first if you haven't already. Now that that's out of the way I want to focus on some of the "Pro's", the terrific and exciting aspects of freelancing which, in my opinion, far outweigh the negatives and make the whole adventure worthwhile. If they didn't, I wouldn't have stuck at it for ten years and counting: Pro #1: You are your own boss. You decide when to work and when to take a break. You decide which projects you will work on. You negotiate the deadlines. There are no superiors to report to (just make sure your clients are happy). No boring meetings. No annoying co-workers. You enjoy a great deal of freedom compared to your cubicle-bound counterparts. You can buy groceries at 10 am when there is no traffic and no lines at the checkout. You run your own show! I can't think of a career choice that offers you more personal freedom.